As an artist I use images to consider their role in shaping reality. We inhabit a world of diagrams and signs as much as physical objects. Through my work I study the historical processes, technical aspects and social practices involved in creating and circulating certain kinds of imagery. I am referring to the pictures we use for constructing, validating and maintaining the stories that we tell to determine our beliefs and actions. Our behaviors, established through visual means, lead to ways of living that are causing unprecedented societal and ecological crises and that appear to be ever- present and all- encompassing.


I’m interested in observing stories that fail to settle down, are unsuccessfully built, and fail to take root because of contexts that are unfitting. My work is about moments in which perceptions of stability and certainty are broken. I see these moments as openings. They are necessary reminders of the limitations of any human model of the world and the transient nature of all structures. For me, these conditions present opportunities to imagine, resist and hope.


I try to translate these moments through my art by investigating, connecting, juxtaposing, transforming and sometimes, pushing to the limit, visual regimes or devices of representation. In this endeavor  I’ve sought to find varied channels and strategies for creation and distribution. Using drawing as a structuring tool, a methodology more than a medium, my work has taken the shape of installations, artistic laboratories and publications.